Abstract
Mrs. Dalloway (1925) by Virginia Woolf is an acknowledged modernist
novel which includes the sense of change and disillusionment as modernist
elements. Woolf provides readers with illustrations of characters highlighting
illusional reality and disillusionment throughout the novel. Although Clarissa
Dalloway is not depicted as a disillusioned character within previous studies,
both Clarissa Dalloway and Septimus Warren Smith represent disillusioned
individuals in a modernist society. Thus, the aim of this article is to analyze
the sense of change and disillusionment in Mrs.
Dalloway via examining Clarissa Dalloway and Septimus Warren Smith as
disillusioned characters who share similarities. To this end, the issues of
social approval, marriage, war and trust towards institutions as products of
civilization are discussed within the scope of this article.
References
- BERMAN, Marshall (1988). All That Is Solid Melts Into Air. Ontario: Penguin.
- BONIKOWSKI, Wyatt (2013). Shell Shock And The Modernist Imagination The Death Drive In Post-World War I British Fiction. Surrey: Ashgate.
- DIBATTISTA, Maria (2009). Imagining Virginia Woolf An Experiment In Critical Biography. New Jersey: Princeton University Press.
- FROULA, Christine (2005). Virginia Woolf and the Bloomsbury Avant-Garde War Civilization Modernity. New York: Colombia University Press.
- SOUTHWORTH, Helen (2007). “Women and Interruption in Between the Acts”. Locating Woolf The Politics of Space and Place. Eds. Anna Snaith and Michael H. Whitworth. New York: Palgrave Macmillan.
- WHITWORTH, Michael H. (2009). Authors in Context Virginia Woolf. New York: Oxford University Press.
- WOOLF, Virginia (2001). A Room of One’s Own. Ontario: Broadview.
- WOOLF, Virginia (2003). Mrs. Dalloway. London: Wordsworth.
- ZWERDLING, Alex (1977). “Mrs. Dalloway and the Social System”. Virginia Woolf and the Real World. London: University of California Press.
Abstract
Virginia Woolf’un Mrs. Dalloway
(1925) isimli eseri modernist öğeler olan değişim ve gerçeğe uyanış olgusunu
içeren tanınmış modernist bir romandır. Woolf, eser boyunca ilüzyonel
gerçekliği ve gerçeğe uyanışı vurgulayan karakter örneklerini okuyuculara sunmaktadır.
Önceki çalışmalarda Clarissa Dalloway gerçeğe uyanmış bir karakter olarak
tasvir edilmemesine ragmen, hem Clarissa Dalloway hem de Septimus Warren Smith
modernist bir toplumdaki gerçeğe uyanmış bireyleri temsil etmektedirler. Bu
nedenle, bu makalenin amacı benzerlikler taşıyan, sanrılardan arınmış Clarissa
Dalloway ve Septimus Warren Smith karakterlerini inceleyerek Mrs. Dalloway adlı eserdeki değişim ve
gerçeğe uyanış olgusunu analiz etmektir. Bu bağlamda toplumsal onay, evlilik,
savaş ve medeniyetin ürünleri olan kurumlara duyulan güven meseleleri bu
makalenin kapsamı dahilinde tartışılmaktadır.
References
- BERMAN, Marshall (1988). All That Is Solid Melts Into Air. Ontario: Penguin.
- BONIKOWSKI, Wyatt (2013). Shell Shock And The Modernist Imagination The Death Drive In Post-World War I British Fiction. Surrey: Ashgate.
- DIBATTISTA, Maria (2009). Imagining Virginia Woolf An Experiment In Critical Biography. New Jersey: Princeton University Press.
- FROULA, Christine (2005). Virginia Woolf and the Bloomsbury Avant-Garde War Civilization Modernity. New York: Colombia University Press.
- SOUTHWORTH, Helen (2007). “Women and Interruption in Between the Acts”. Locating Woolf The Politics of Space and Place. Eds. Anna Snaith and Michael H. Whitworth. New York: Palgrave Macmillan.
- WHITWORTH, Michael H. (2009). Authors in Context Virginia Woolf. New York: Oxford University Press.
- WOOLF, Virginia (2001). A Room of One’s Own. Ontario: Broadview.
- WOOLF, Virginia (2003). Mrs. Dalloway. London: Wordsworth.
- ZWERDLING, Alex (1977). “Mrs. Dalloway and the Social System”. Virginia Woolf and the Real World. London: University of California Press.
Details
| Primary Language | English |
|---|---|
| Journal Section | Articles |
| Authors | |
| Publication Date | December 18, 2017 |
| Submission Date | June 20, 2017 |
| Published in Issue | Year 2017 Issue: 38 |
Cited By
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